EXHIBITION DETAILS
What does it mean to build within systems that are already alive? What forms of intelligence move through water, soil, biological networks, and data? How are we already prototyping the futures we inhabit?
Prototyping Futures of Making brings together artists whose practices engage water, data, and living systems as sites of construction, relation, and consequence. At a moment when AI/Data Infrastructures depend on vast quantities of water and land, this exhibition asks what it means to build within systems that are already alive. Trees transmit through root and fungal networks, rivers carry memory and contamination, and natural systems register signals that exceed human language, while computational systems abstract, store, and intensify data, intelligence, and flows of operation.
Drawing from contemporary developments in material ecology and interdisciplinary design, including frameworks advanced by Neri Oxman and curatorial perspectives shaped by Paola Antonelli at the Museum of Modern Art, the exhibition foregrounds practices that move beyond fabrication toward growth, co-production, and interspecies collaboration.
These questions are reflected in the practice of the show’s guest juror, Lisa B. Woods, whose work moves across art, technology, ecological systems, and interdisciplinary research. WEAD is pleased to welcome her as juror for Prototyping Futures of Making: Water, Data, and Living Systems.
Jurors are Lisa B. Woods and Leah Dalton, curator of physical exhibition at The 109 Gallery in Chickamauga, Georgia. They will prioritize work that closely addresses issues and solutions on this topic. WEAD will accept work in all media, including sound or videos.
The show will have:
- a printed catalog
- artist presentations on zoom
- a panel with thoughtful dialog
- awards will be given
All women-identified artists, non-binary, and trans-identified artists are welcome to become members and apply.
PLEASE read the EntryThingy instructions to prepare your entry.